Testing the Canon of Ancient Near Eastern Art and Archaeology, edited by Amy Rebecca Gansell and Ann Shafer (Oxford University Press, $99).
With this volume, Gansell, Shafer, and their expert contributors confront canons, as established icons of culture, and ask how they come to be, of what use they are today, and whether they might transform or disintegrate in the future. In particular, this book investigates the ancient Near Eastern canon (Hammurabi’s Code, the gates of Babylon, the biblical sites of Ur and Nineveh…) from academic and native, Middle Eastern perspectives. Ultimately, it proposes to expand and transform the canon from a colonial artifact into a global tool for sharing, celebrating, and preserving the region’s diverse cultural heritage. We hope that this book offers not only seminal academic papers, but hope and a path to peace between people and cultures.
Foreword Irene J. Winter
Chapter 1: Perspectives on the Ancient Near Eastern Canon: More than Mesopotamia’s Greatest Hits Amy Rebecca Gansell and Ann Shafer
Boundaries
Chapter 2: The Southern Levant and the Ancient Near Eastern Canon Rachel Hallote
Chapter 3: Archaeological Research in Pre-Classical Syria and the Canon of Ancient Near Eastern Art and Archaeology Marina Pucci
Chapter 4: The Past, Present, and Future of the Canon of Ancient Anatolian Art Susan Helft
Chapter 5:The Canon of Ancient Iranian Art: From Grand Narratives to Local Perspectives Henry P. Colburn
Chapter 6: “Classical” vs. “Ancient” in the Near Eastern Canon: The Position of Graeco-Roman Art from the Levant, c. 330 BCE-636 CE Elise A. Friedland
Typologies
Chapter 7: Defining the Canon of Funerary Archaeology in the Ancient Near East Nicola Laneri
Chapter 8: The Canon of Ancient Near Eastern Glyptic on a Roll: Leaps, Hurdles, and Goals Diana L. Stein
Chapter 9: The Canon of Ancient Near Eastern Palaces David Kertai
Technologies
Chapter 10: How Ancient and Modern Memory Shapes the Past: A Canon of Assyrian Memory Davide Nadali
Chapter 11: Museums as Vehicles for Defining Artistic Canons: The Case of the Ancient Near East in the British Museum Paul Collins
Chapter 12: Beyond the Canon: The Future of the Past in Museum Exhibitions of Ancient Egyptian and Near Eastern Art Rachel P. Kreiter
Chapter 13: The Ancient Near Eastern Canon in the University Classroom, and Beyond: My Colleagues Speak Ann Shafer
Heritage Perspectives
Chapter 14: The Lucrative Business of the Cyrus Cylinder: Commodification of an Iranian Icon Kamyar Abdi
Chapter 15: Between Hazor and Masada-Iconic archaeological sites as symbols of collective memories in modern Israeli identities Gideon Avni
Chapter 16: Past Resurrections Tamara Chalabi
Chapter 17: Earth, Rocks, and Blood: A Wandering Home Sargon George Donabed
Chapter 18: 6,000 Years Maymanah Farhat
Chapter 19: Cultural Heritage Attrition in Egypt Monica Hanna
Chapter 20: Crafting the Ancient Near Eastern Canon: A Personal Reflection Zena Kamash
Chapter 21: The Consequences of the Destruction of Syrian Heritage on the Syrian Identity and Future Generations Youssef Kanjou, translated from Arabic by Nadia Barakat
Chapter 22: Contemporary Art and Archaeology in the Arab World Salwa Mikdadi
Chapter 23: The Assyrians-Then and Now Ramsen Shamon
Chapter 24: Bringing the Past to a Living Room Near You: The Archaeological Heritage of Anatolia on Glass Oya Topçuoglu
Bibliography
Index
